作为Bytíz铀矿区域的标志，矿井塔在入口处却不可见，这一现存的场地问题引起了我的注意，也成为设计的起点。矿井塔在矿山上的位置让我想起路易斯康对帕特农神庙与场地关系的陈述：“你选择一座山，建起神庙，于是其他山丘都向它致意。”这片场地也类似，矿井塔就像是场地内的帕特农神庙，其他建筑都向它致意。因此，游客服务中心为矿井塔挪出它应有的视野，顺着山势叠级而上，引导人们望向矿井塔的视线，同时与矿井塔形成水平性与垂直性的相互补充（出自《场地精神》布拉格篇）。建筑与矿井塔的对话也贯穿整个设计：可望不可及，可望可及，以及最终站在脚下仰望它，或是理解或是顿悟场地的精神。从塔开始的建筑叙事，也不失为一种尝试。
As the landmark of the Bytíz uranium mine area, the mine shaft tower is not visible at the entrance, which drew my attention to this existing site issue and became the starting point of the design. The location of the mine shaft tower on the mountain reminded me of Louis Kahn’s statement about the relationship between the Parthenon and its site: "You choose a mountain, build the temple, and then all the other hills pay their respects to it." This site is similar, with the mine shaft tower acting like the Parthenon within the site, and all other buildings paying their respects to it. Therefore, the visitor center makes way for the mine shaft tower to have its rightful visibility, following the contour of the mountain in a stepped arrangement, guiding people's gaze toward the tower while creating both horizontal and vertical complementarity with it (from Spirit of the Site Prague edition). The dialogue between the building and the mine shaft tower runs throughout the entire design: something that is visible but out of reach, something that is both visible and within reach, and ultimately standing below it, gazing upward—either understanding or awakening to the spirit of the site. The architectural narrative starting from the tower can also be seen as an experiment.

作为Bytíz铀矿区域的标志，矿井塔在入口处却不可见，这一现存的场地问题引起了我的注意，也成为设计的起点。矿井塔在矿山上的位置让我想起路易斯康对帕特农神庙与场地关系的陈述：“你选择一座山，建起神庙，于是其他山丘都向它致意。”这片场地也类似，矿井塔就像是场地内的帕特农神庙，其他建筑都向它致意。因此，游客服务中心为矿井塔挪出它应有的视野，顺着山势叠级而上，引导人们望向矿井塔的视线，同时与矿井塔形成水平性与垂直性的相互补充（出自《场地精神》布拉格篇）。建筑与矿井塔的对话也贯穿整个设计：可望不可及，可望可及，以及最终站在脚下仰望它，或是理解或是顿悟场地的精神。从塔开始的建筑叙事，也不失为一种尝试。
As the landmark of the Bytíz uranium mine area, the mine shaft tower is not visible at the entrance, which drew my attention to this existing site issue and became the starting point of the design. The location of the mine shaft tower on the mountain reminded me of Louis Kahn’s statement about the relationship between the Parthenon and its site: "You choose a mountain, build the temple, and then all the other hills pay their respects to it." This site is similar, with the mine shaft tower acting like the Parthenon within the site, and all other buildings paying their respects to it. Therefore, the visitor center makes way for the mine shaft tower to have its rightful visibility, following the contour of the mountain in a stepped arrangement, guiding people's gaze toward the tower while creating both horizontal and vertical complementarity with it (from Spirit of the Site Prague edition). The dialogue between the building and the mine shaft tower runs throughout the entire design: something that is visible but out of reach, something that is both visible and within reach, and ultimately standing below it, gazing upward—either understanding or awakening to the spirit of the site. The architectural narrative starting from the tower can also be seen as an experiment.